Sébastien Aurillon

France


Mortem Blyme

Denmark


Feeling = Art Tomo

Japan


Sylvia Albizuri

Spain


Patricia Buraschi

USA

Yuichiro Shibata: A Contemporary Master
Comes Out of Hibernation

An Art Online Review by Ed McCormack
Gallery & Studio Magazine
www.galleryandstudiomagazine.com

In our media-saturated era, when the higher aspirations of art are all too often hobbled by topicality, Yuichiro Shibata is one artist who "breaks the cultural trance,' to appropriate a felicitous phrase from Russell Targ, the well-known physicist and author of "Limitless Mind."
While the clarity of line and pastel pinks, baby blues, sherbet greens and other confectionery hues that have characterized Shibata's large acrylic paintings on canvas for decades appear to have exerted a superficial stylistic influence on some younger Japanese artists enamored of cartoon iconography and other aspects of popular cul­ture, his concerns and the content of his work, con­versely timeless and universal, could not be more remote from theirs.

Indeed, although Shibata wryly acknowledges that the circular forms, which invari­ably interact with linear spi­rals in his paintings, could suggest such down-to-earth objects as optic orbs, olives or bowling balls, his cosmi-cally continued....

  

Featured

Artists


Allison Artis

USA


François Burgun

France


Ai Ohkawara

Japan


Pilar Jimenez

Colombia


Hanne Rivrud

Norway


Henry Dancer

France




Sylvia Hennequin

An Art Online Review by Wilson Wong
Gallery & Studio Magazine
www.galleryandstudiomagazine.com

From the early 15th century to the present, The Netherlands has given us many great artists, including de Kooning. But it is the post-WWII movement called CoBrA that the contemporary Dutch painter Sylvia Hennequin (www.sylviahennequin.nl) seems most clearly related. Trained in Rotterdam, Hennequin wields a loaded brush with as much force as Karel Appel one of the founders of the CoBrA group and its most accomplished painter.

The resemblance is clear in Hennequin’s powerful painting “Scarface.” Just look at those impastos (as though the thick, viscous pigment was slathered on with a trowel!); those intense colors (particularly those glistening, visceral reds—like the ones in Soutine’s flayed sides of beef); that fleshy slab of a nose and those huge, mad, asymmetrical blue eyes, continued....



Jean-Marc Calvet : Monkdogz Art Star Calvet Knows Exactly what he is doing

An Art Online Review by Ed McCormack
Gallery & Studio Magazine
www.galleryandstudiomagazine.com

How much of what they say about Jean-Marc Calvet, the painter from
Granada, Nicaragua, who has recently created such a stir in the New York art scene how he supposedly gave up on life, secluded himself in a room to die, and dis covered his artistic vocation and a reason to go on living by painting all over the walls with some discarded paints that he found there — is true and how much is apocryphal I do not know; nor do I care to know.

There is a very real danger for an artist as brilliant as Calvet (whose new paintings can be seen at Monkdogz Urban Art, 547 West 27th Street, from September 6 through October 1 3) in having too colorful a back-story. It is too easy for the legend to flourish at the expense of the art. (just think how
many people know nothing about Van Gogh except that he cut off his ear.). continued....



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“Creativity is allowing yourself to make mistakes.
Art is knowing which ones to keep. ”

Piet Mondrian

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Gallery & Studio Magazine
Reviews

Due to its initial success in providing visibility to artists, the publishers of Gallery and Studio arts magazine New York City have agreed to extend their promotional offer to artists associated with Monkdogz Urban Art.

The offer involves a ½ page review of the artists work with image in their Arts publication for the discounted price of US$550.00 When you contact Gallery and Studio remember to tell them that you were referred through Monkdogz Urban Art and are interested in the promotional offer. Example of the reviews are reproduced below.

No matter how talented you are. If no one see’s it, nothing happens.